CM2014132 Art. Du projet artistique au projet urbain : structuration du territoire par l'œuvre d'art

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Résumé

 

L’intégration de l’art dans l’urbain pose le défi de l’adhésion de la population à l’oeuvre. À cet égard, le travail monumental de Vincent Solheid, qui orne les colonnes du stade de Sclessin à Liège, est remarquable par sa capacité à représenter un cadre cognitif permettant de structurer en sous-culture les supporters du club du Standard, usagers de cet espace public urbain. L’oeuvre offre alors des éléments de discours aux acteurs publics qui font face à la désindustrialisation massive d’un quartier fondamental dans l’économie liégeoise. Elle devient ainsi une ressource pour dire la requalification possible du territoire industriel.

Mots-clés : art public, Liège, sous-culture, supporters, stade, structuration urbaine, territoire

9782747223928
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Past ten years, literature is an increasing number of works trying to identify the different levers to operate to encourage innovation within companies. In continuation of this work focused on the emergence of a "culture of innovation," the state of the art made ​​in this article allows us to bring about a feeling of "psychological safety" is the only means that:
- Members of the organization are not paralyzed by fear of failure and continue to offer bold initiatives,
- These players learn from the mistakes that will inevitably be committed during the innovation process and are able to no longer reproduce. We suggest, as such, some lines of thought to create a culture of "room for error" in organizations, starting with the consolidation of the reward and sanction systems by the inclination of the direction to "Legends" failures. We stress however that this may be possible in the context of American culture is not necessarily in that of French culture.

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