CONTENTS

André Riotte, Introduction: Creating the twentieth century. Homage to Marcel Mesnage. . . . 3
André Riotte, Predictive text input or conscious design? Creation, formalisms, models, technologies. . . . . . . . . . . . . . . . . . . . . . . . . . 7
Claudy Malherbe, black and white, contemporary musical space, otherness and consistency. . . . . . . . .19
Catherine Rudent, Musical Analysis of modern popular music: an overview. . . . . . . . 49
Makis Solomos, the "scholar" and "popular", postmodernism and globalization. . . . . . . . . . 57
Listening notes: André Riotte, Météorite et ses métamorphoses pour piano solo, 2001 (Vincent Decleir). . . . . . . . . . . . . . . . . . . . . . . 73
Abstracts. . . . . . . . . . . . . . . . . . . . . . . . . . 77
Abstracts. . . . . . . . . . . . . . . . . . . . . . . . . . . 79