Contents

Introduction........3

Nicolas Meeùs, The true causes of the state of ignorance, Jean-François Boëly, 1806........7

Frédéric Gonin,  Some observations on the origins of contrapuntal techniques in Haydn, Mozart and Beethoven........15

Keith Chapin, Temporal Modes and Symbolic Stakes: Strict Composition in Early Nineteenth-Century Europe........29

Jean-Pierre Bartoli, Counterpoint in Jérôme Joseph de Momigy’s article “Sonate” for the musical section of the Encyclopédie méthodique (1818)........43

Louise Bernard de Raymond, The “fugue phrasée” in the writings and the compositions of Antoine Reicha........59

David Rowland, Nineteenth-Century Pianists and Baroque Music........79

Jeanne Roudet, Tradition renewed in the time of Boëly: the example of Études « à la manière » of ancient masters........91

Eric Lebrun, Playing, classifying, understanding: supporting Boëly today........111

Abstracts........121