The way I just go, even for the wrap according to the logic of every arabesque, make explicit the assumptions of an aesthetic of the arabesque that we now have two faces: the face of the Baroque optimistic, pessimistic side of symbolism steeped in the thought that presented itself to Schopenhauer artists end the XIX century as a philosophy as a writer, poet or musician, an artistic design philosophy yet because it considers the real deployment repetitive but varied the theme of the unique and painful desire to live and philosophical thought - not necessarily systematic or non-architectural - must be deployed as a music or an opera from the astonishment which is the principle.